UK Mall 1 - Sleeping Beauty [Disney 1959]

Disney recreates the old tale with new characters--giving the good and evil fairies much more of a role--in fact, they steal the show. The good fairies are Flora, Fauna and Merrywether, three chubby, bell-shaped sprites, who were inspired by housewives the artists observed in grocery stores. And Maleficent, the stylish, Goth baddy who is tall, slim and has a bit of a smoker's rasp in her deliciously evil voice (played by Eleanor Audley.)

The fairies, good or evil, have so much to do, in fact, that Princess Aurora only gets to sing a bit (by an exceptional operatic soprano Mary Costa) and Prince Philip is equally reticent. The Prince gets a shocker early on in the tale--he has somehow been betrothed to Aurora since early childhood, but this interesting fact wasn't communicated to him until just before the wedding is to go off.) He is understandably miffed, gee, a guy should have SOME say in the matter, even if he doesn't get to pop the question, and after a set-to with Mom and Dad, he never says another word.

The real star here is the production, with the stylish Scandinavian Sixties art by Ervind Earle. Earle looked to folk art, Medieval art and tapestries for inspiration and mixed it with a fine modern sensibility to make a stunning set. The animation owes a lot to Fantasia, which is especially noticible in the automated mops (Night on Bald Mountain) and Maleficent's domain. The artists wanted to avoid a repeat of "Snow White" and they certainly achieved a completely different look and feel. And taking the best of "Fantasia" was a good idea--as "Fantasia" itself was way ahead of its time and underappreciated until much later than its release in the Forties.

As to quality of the DVD, there was a glitch just as Philip is delivering the wakeup kiss to Aurora, the film jumps as if a few frames were cut. A glitch on this particular DVD? Strange that this happens at a critical moment. The extras are well worth looking at, especially the interview with Earle and getting a look at the exquisite detail of the background artwork, giving any parent or grandparent a reason to enjoy the film for their own reasons while it runs for the umpteenth time on the DVD player.

The story, of course, is the time-honored fairy tale. Princess Aurora is cursed at birth by the evil Maleficent, who declares that on her sixteenth birthday the princess shall prick her finger on a spinning wheel's spindle and die--but fortunately the powers of good are able to mute the effect of the curse; the princess shall not die, but shall instead fall into a deep sleep from which she can be only awakened by love's first kiss.

Earle's vision for the story is drawn from a host of sources, some of them more immediately apparent than others. The result is a curious mixture of flat illustration and meticulous detail that imparts both a modernist edge and the quality of an ancient illuminated manuscript--a truly remarkable concept that gives the film a visual style completely unlike any other among the Disney classics. The DVD offers the option of viewing the film in either its original widescreen ratio or pan-and-scan format--but why any one would elect pan-and-scan is completely beyond me; if ever there was a film that made good and full use of the widescreen ratio, this is it, and you'll want to see every inch of Earle's remarkable work.

Earle's style aside, SLEEPING BEAUTY has been influenced by a number of films that are worth noting. In terms of plot detail, it has been very clearly influenced by Disney's earlier SNOW WHITE, and the designs for the evil Maleficent and her "goons" are very clearly influenced by FANTASIA's "Night on Bald Mountain" sequence--and to magnificent effect; Maleficent is easily among the darkest characters ever created for film. Interestingly, many visual set-ups also seem to have been influenced by MGM's THE WIZARD OF OZ, most notably in the scenes in which the three good fairies rescue Prince Philip from Maleficent's nightmarish castle.

Unlike some animated films, the voices are beautifully matched to the characters, with Mary Costa as Princess Aurora and Eleanor Audley (who also performed the Wicked Stepmother in Disney's CINDERELLA) as Maleficent standouts among the cast. The score, which is based on the brilliant Tchaikovsky ballet score, is also extremely well handled and includes the memorable "Once Upon a Dream."

All of this has been lovingly, shining restored, and quite frankly even if you saw the film in its first release the result here will no doubt surpass it. There is not a blip, a glitch, or a sound-surge to be found. And as is usual with Disney "limited release" DVD editions, the package includes a host of extras, some designed to appeal to the younger set (there are two simple games, neither of which require a CD-ROM) for children and a host of interviews and documentaries. Fortunately, many of the people involved in SLEEPING BEAUTY are still with us--including Ervind Earle and Mary Costa--and their various contributions make the bonus package truly superior.

All of this said, it should be noted that like FANTASIA, SLEEPING BEAUTY is more likely to appeal to adults who can fully appreciate the visual charms of the film than to children, who may find the film's tendency to linger over visuals a bit too much for a limited attention span. But this is indeed a Disney masterpiece, and it belongs in your collection.

Disney recreates the old tale with new characters--giving the good and evil fairies much more of a role--in fact, they steal the show. The good fairies are Flora, Fauna and Merrywether, three chubby, bell-shaped sprites, who were inspired by housewives the artists observed in grocery stores. And Maleficent, the stylish, Goth baddy who is tall, slim and has a bit of a smoker's rasp in her deliciously evil voice (played by Eleanor Audley.)

The fairies, good or evil, have so much to do, in fact, that Princess Aurora only gets to sing a bit (by an exceptional operatic soprano Mary Costa) and Prince Philip is equally reticent. The Prince gets a shocker early on in the tale--he has somehow been betrothed to Aurora since early childhood, but this interesting fact wasn't communicated to him until just before the wedding is to go off.) He is understandably miffed, gee, a guy should have SOME say in the matter, even if he doesn't get to pop the question, and after a set-to with Mom and Dad, he never says another word.

The real star here is the production, with the stylish Scandinavian Sixties art by Ervind Earle. Earle looked to folk art, Medieval art and tapestries for inspiration and mixed it with a fine modern sensibility to make a stunning set. The animation owes a lot to Fantasia, which is especially noticible in the automated mops (Night on Bald Mountain) and Maleficent's domain. The artists wanted to avoid a repeat of "Snow White" and they certainly achieved a completely different look and feel. And taking the best of "Fantasia" was a good idea--as "Fantasia" itself was way ahead of its time and underappreciated until much later than its release in the Forties.

As to quality of the DVD, there was a glitch just as Philip is delivering the wakeup kiss to Aurora, the film jumps as if a few frames were cut. A glitch on this particular DVD? Strange that this happens at a critical moment. The extras are well worth looking at, especially the interview with Earle and getting a look at the exquisite detail of the background artwork, giving any parent or grandparent a reason to enjoy the film for their own reasons while it runs for the umpteenth time on the DVD player.

The story, of course, is the time-honored fairy tale. Princess Aurora is cursed at birth by the evil Maleficent, who declares that on her sixteenth birthday the princess shall prick her finger on a spinning wheel's spindle and die--but fortunately the powers of good are able to mute the effect of the curse; the princess shall not die, but shall instead fall into a deep sleep from which she can be only awakened by love's first kiss.

Earle's vision for the story is drawn from a host of sources, some of them more immediately apparent than others. The result is a curious mixture of flat illustration and meticulous detail that imparts both a modernist edge and the quality of an ancient illuminated manuscript--a truly remarkable concept that gives the film a visual style completely unlike any other among the Disney classics. The DVD offers the option of viewing the film in either its original widescreen ratio or pan-and-scan format--but why any one would elect pan-and-scan is completely beyond me; if ever there was a film that made good and full use of the widescreen ratio, this is it, and you'll want to see every inch of Earle's remarkable work.

Earle's style aside, SLEEPING BEAUTY has been influenced by a number of films that are worth noting. In terms of plot detail, it has been very clearly influenced by Disney's earlier SNOW WHITE, and the designs for the evil Maleficent and her "goons" are very clearly influenced by FANTASIA's "Night on Bald Mountain" sequence--and to magnificent effect; Maleficent is easily among the darkest characters ever created for film. Interestingly, many visual set-ups also seem to have been influenced by MGM's THE WIZARD OF OZ, most notably in the scenes in which the three good fairies rescue Prince Philip from Maleficent's nightmarish castle.

Unlike some animated films, the voices are beautifully matched to the characters, with Mary Costa as Princess Aurora and Eleanor Audley (who also performed the Wicked Stepmother in Disney's CINDERELLA) as Maleficent standouts among the cast. The score, which is based on the brilliant Tchaikovsky ballet score, is also extremely well handled and includes the memorable "Once Upon a Dream."

All of this has been lovingly, shining restored, and quite frankly even if you saw the film in its first release the result here will no doubt surpass it. There is not a blip, a glitch, or a sound-surge to be found. And as is usual with Disney "limited release" DVD editions, the package includes a host of extras, some designed to appeal to the younger set (there are two simple games, neither of which require a CD-ROM) for children and a host of interviews and documentaries. Fortunately, many of the people involved in SLEEPING BEAUTY are still with us--including Ervind Earle and Mary Costa--and their various contributions make the bonus package truly superior.

All of this said, it should be noted that like FANTASIA, SLEEPING BEAUTY is more likely to appeal to adults who can fully appreciate the visual charms of the film than to children, who may find the film's tendency to linger over visuals a bit too much for a limited attention span. But this is indeed a Disney masterpiece, and it belongs in your collection.